Smithsonian’s Hirshhorn Museum and Sculpture Garden

Hiding unsightly scaffolding behind an artists creative expression.

Hiding an entire building while it was under renovation.

As the Hirshhorn Museum began extensive exterior renovations on its unique drum-shaped facade with months of unsightly scaffolding expected, the museum commissioned Swiss artist Nicolas Party to create his largest artwork to date, “Draw the Curtain.” Phoenix-based Convergent Print Group was tasked with bringing the 360-degree digitally collaged pastel painting to life.

Mesh That Slides

As the Hirshhorn Museum began extensive exterior renovations on its unique drum-shaped facade with months of unsightly scaffolding expected, the museum commissioned Swiss artist Nicolas Party to create his largest artwork to date, “Draw the Curtain.” Phoenix-based Convergent Print Group was tasked with bringing the 360-degree digitally collaged pastel painting to life.

Draw The Curtin

The primary graphics were printed using our family of Durst Rho 500R presses and then used one of our Miller Weldmaster T112 hot air welders to weld twisted nylon rope into the perimeter of each mesh, creating an embedded keder edge. A unique track system, designed by Sail Systems, was attached to the exterior of the scaffolding surrounding the entire building. The keder edges of each mesh panel were then slid into the channels of each track.

Not to have the scaffolding seen at all, matching self-adhesive graphics were printed on 3M 40C using our family of HP Latex 3600 presses to seamlessly transition between the vinyl mesh graphics. This gave a continuous, unbroken graphical image.

Building Area Covered
0 º
Length of Building Wrap
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Vinyl Mesh Panels
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Taking the artist’s image and breaking it down into variable bay widths was the most unique challenge.
Dave Stuedemann

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